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      >“The Unknown” was the first film to demand that she speak three languages: her native French, English, and German. “On certain films, you have to adapt also your style of acting,” she said. “Some movies you internalize things, others you have to be almost out there, externalized. These two [Cannes films] are both internalized. They are different, but they have similarities. Both characters have a secret, something they can’t tell, and they have to live with the shame of this secret. Marie’s film has social subject matter, while Arthur’s is more philosophical, existential, metaphysical.”

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