>“I was working in Blender, modeling the sets, and then we would literally go and build them in real time. We did a lot of tests there to make sure we were getting the general tone that people expected [from] *Backrooms*. We did 50 wallpaper tests to get the right shape of yellow.”
>Parsons shared behind-the-scenes footage of the massive set getting built and recalled that he eventually had to step away from guiding the set construction to start filming exterior scenes. When he came back two weeks later to see the finished set, it was “the strangest, coolest moment on this project for me.”
>”The set was huge. We built 30,000 square feet of actual backrooms that we could walk around in. Actually, some people were getting lost. It felt like being there, which was really weird.”
>“I always try to stay away from the idea that the backrooms is somehow a dreamy headspace thing where, if you turn around, the room could have changed. It preys on the human brain’s ability to map spaces and understand them. The hard part for that is, if you go back the way you came, you will go back the way you came, but it just keeps going and going and going. That’s where the confusion and the convolution goes. So eventually, you just have to give up trying to map it, whereas if it were constantly changing, you would be giving up a lot faster.”
ArchDucky on
They burned them after right? Because I don’t think we should leave that horror in the world.
Robsonmonkey on
I hope they left them up just to fuck with whoever stumbles across them in the future.
mwax321 on
Seems unnecessary.
Pugilist12 on
They could probably turn that into an attraction at Universal Studios or something. Would be a lot of fun.
kolkitten on
Ok thats pretty cool.
TheBrainlessRobot on
I’m curious how it works in the movie, but so far I just don’t understand what’s supposed to be scary about these rooms.
AdDiligent7657 on
Damn, imagine directing a production like this at age 19.
kbarnett514 on
30,000 Sq ft sounds like a lot, but its less than the size of a football field, which doesn’t sound crazy for a movie set, especially one that consists mainly of drywall and carpet
clementleopold on
> We did 50 wallpaper tests to get the right shape of yellow
*Shade.
Taman_Should on
Easiest sets to build, though. Just endless repetition.
jaredalamode on
They could make the wildest prank show with that set. Think of “A Life Of Prizes” mixed with “How did I get here?”
12 Comments
Parsons:
>“I was working in Blender, modeling the sets, and then we would literally go and build them in real time. We did a lot of tests there to make sure we were getting the general tone that people expected [from] *Backrooms*. We did 50 wallpaper tests to get the right shape of yellow.”
>Parsons shared behind-the-scenes footage of the massive set getting built and recalled that he eventually had to step away from guiding the set construction to start filming exterior scenes. When he came back two weeks later to see the finished set, it was “the strangest, coolest moment on this project for me.”
>”The set was huge. We built 30,000 square feet of actual backrooms that we could walk around in. Actually, some people were getting lost. It felt like being there, which was really weird.”
>“I always try to stay away from the idea that the backrooms is somehow a dreamy headspace thing where, if you turn around, the room could have changed. It preys on the human brain’s ability to map spaces and understand them. The hard part for that is, if you go back the way you came, you will go back the way you came, but it just keeps going and going and going. That’s where the confusion and the convolution goes. So eventually, you just have to give up trying to map it, whereas if it were constantly changing, you would be giving up a lot faster.”
They burned them after right? Because I don’t think we should leave that horror in the world.
I hope they left them up just to fuck with whoever stumbles across them in the future.
Seems unnecessary.
They could probably turn that into an attraction at Universal Studios or something. Would be a lot of fun.
Ok thats pretty cool.
I’m curious how it works in the movie, but so far I just don’t understand what’s supposed to be scary about these rooms.
Damn, imagine directing a production like this at age 19.
30,000 Sq ft sounds like a lot, but its less than the size of a football field, which doesn’t sound crazy for a movie set, especially one that consists mainly of drywall and carpet
> We did 50 wallpaper tests to get the right shape of yellow
*Shade.
Easiest sets to build, though. Just endless repetition.
They could make the wildest prank show with that set. Think of “A Life Of Prizes” mixed with “How did I get here?”
Hey Netflix fucking call me.