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Nathalie Baye died on Friday at the age of 77 at her home in Paris, her family announced to AFP on Saturday, April 18. The French actress suffered from Lewy body dementia, her family, including her daughter Laura Smet, stated in a joint press release. She leaves behind a rich and unique career that made her a major figure on the silver screen for over fifty years. From her early days at the Conservatoire national supérieur d'art dramatique to her status as a popular and respected star, her journey embodies a quest for excellence and unwavering artistic commitment.

"Between a good friend and a diva," she was a true "French star," wrote Libération in 1998, in a profile of her. But at 50, the actress rejected this sanitized image: "I'm not conventional, my life proves it! I'm an actress, I've never been married, and I'm raising a child alone. It's not a typical life." The scene is set.

From Mainneville to the Conservatory

Born on July 6, 1948, in Mainneville, in the Eure department, Nathalie Baye, whose real name is Nathalie Marie Andrée Baye, grew up in modest circumstances, and nothing seemed to destine her for a life in the arts. From a very young age, she showed a strong interest in theater and film. After attending drama classes at the Rue Blanche school, she entered the prestigious Conservatoire National Supérieur d'Art Dramatique in Paris in 1967, graduating in 1971.

She made her film debut in 1970 with a small role in Henri Colpi's *Une aussi longue absence*, before experiencing a true breakthrough in 1973 with François Truffaut's *La Nuit américaine*, when she was not yet 25. This film, which explores the inner workings of the film industry, gave her a significant first leading role alongside two stars: Jean-Pierre Léaud and Jacqueline Bisset. Her performance quickly earned her critical acclaim, establishing her as a rising star of French cinema.

Early Steps Alongside Giants

In the 1970s, Nathalie Baye made her way alongside some of the biggest names in French cinema: Jean-Luc Godard (Every Man for Himself, 1980), Claude Miller (The Best Way to Walk, 1976), Bertrand Tavernier, and especially Maurice Pialat, who gave her one of her most powerful roles in Under the Sun of Satan (1987). It was with this dark and demanding film that Baye definitively established herself as an actress of rare intensity, capable of portraying complex and profoundly human characters.

During the 1980s and 1990s, Nathalie Baye firmly established herself as a renowned and indispensable actress. In 1981, she won her first César Award for Best Supporting Actress for Bob Swaim's *La Balance*, followed by two more César Awards for Best Actress for *Une étrange affaire* (1981) and *Sans toit ni loi* (1985), the latter, directed by Agnès Varda, becoming a classic of art-house cinema. Her film career has developed through a skillful balance between mainstream works and independent projects, where she fully expresses her talent. Since the 2000s, she has moved seamlessly between comedies such as *Les Reines du ring* and *Alibi.com* and more serious roles. This is particularly evident in her several collaborations with Xavier Dolan, including *Juste la fin du monde* in 2016, in which she played an overly made-up mother reunited with her long-absent son. This diversity reflects such a vast filmography that we will have to sacrifice some gems for this selection.

A Lasting Passion for the Theatre

Alongside her film career, Nathalie Baye cultivates a passion for the theatre, a true laboratory where she explores both classical and contemporary roles. Dedicated to connecting with audiences, she continues to perform in a few roles throughout her career. Among her performances are La Parisienne (1995, directed by Jean-Louis Benoît), Zouc par Zouc by Hervé Guibert (2006, directed by Gilles Cohen), and Hiver (2009, directed by Jérémie Lippmann).

While discreet by nature, her personal life has never completely escaped the spotlight, due to her relationships with other luminaries of the artistic world. Her first love, with the intense actor Philippe Léotard, led her, through a mutual friend, to the Creuse region of France, where she found a haven of peace for many years.

It was also there that she introduced Johnny Hallyday to country life, with whom she shared several years, even lending her voice to the music video for his song "Quelque chose de Tennessee." From this relationship came their daughter, Laura Smet, who naturally followed in their footsteps, also becoming an actress and singer, and with whom she co-starred in Xavier Beauvois's film "Les Gardiennes," released in 2017.

Beyond her acting roles, Nathalie Baye has quietly dedicated herself to several social causes, notably the defense of women's rights and the fight against…

by JeanMorel

1 Comment

  1. Aw man. I remember her episode of Call My Agent/Dix Pour Cent with her daughter (Laura Smet).

    RIP, Nathalie.

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