In Rear Window (1954), Hitchcock blurs the line between the voyeurism of the protagonist and that of the audience. The size of the windows in the apartment where the murder takes place match the aspect ratio of widescreen films (window on the left) and television screens (window on the right).

In Rear Window (1954), Hitchcock blurs the line between the voyeurism of the protagonist and that of the audience. The size of the windows in the apartment where the murder takes place match the aspect ratio of widescreen films (window on the left) and television screens (window on the right).

by Ulysses1984